Cry #1 · Campus Santé la Tour, Geneva
What Remains
A hundred salvaged rusted nails — humble, anonymous, made to bind rather than to shine. A tribute to the silent builders, and to the discreet links that hold civilisations together.
ReadThe Alarms · Cries
Twelve works. Twelve warnings. Twelve questions.
Each Cry is a work of art. Each work is a manifesto. Each manifesto is an invitation to think.
Cry #2 · Presented at EPHJ
The Breath of Life
A reclaimed industrial column whose geometry echoes the DNA double helix. A meditation on the frontier between matter and information, the living and the measured.
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Cry #3
The Raft of the Medusa
pandemia
ReadThe remaining Cries are not yet revealed. The future is still unfolding.
Les Cris · Manifesto
Twelve manifestos for the future.
We live in a paradoxical age.
Never has humanity held so much knowledge, so much technology, so much capacity to act — we can map the brain, read the genome, measure the living world, connect the planet, build an intelligence that learns. And yet, as the answers multiply, the essential questions sometimes seem to disappear.
What do we want to preserve?
What are we ready to transform?
What responsibilities come with our new power?
And what future are we really building?
The CRIES are neither traditional artworks, nor technological demonstrations, nor ideological positions.
They are triggers for thought. Alarms. Invitations to dialogue.
Each Cry takes a tension of our time and turns an object, a material, a trace of the real into a symbol — and asks us to look again at what seemed familiar.
None of these works offers an answer. That is deliberate.
Some questions are too important to ignore. And some answers too complex to be immediate.